1. Finish your script.
This is so authoritative. so many people spend years tinkering over one idea and never move on. The more work you arrant, ( no count how toe-curlingly bad ) and move on, the better you ’ ll be .
2. Read along as you watch.
Choose your favorite television show or movie. Get a copy of the script and a grab-bag size of your favored wrinkle, and read the handwriting as you watch. It ’ s a great way to decipher what the writer intended and what the conductor bought to the piece.
3. Inspiration can come from anywhere.
Run out of ideas ? Listen to a piece of music, put a random mention into a search engine and see what images come up. Pick a history from The Metro, and use these as starting points for a character, a picture, a story. And let your resource go .
4. Make sure your characters want something.
From your supporter, to the wait in the café serving tea. When you know what your characters want, your adjacent problem is to make it hard for them to get it .
5. Show. Don’t tell.
Whatever a character wants or feels, it ’ randomness always more concern to learn this through their actions, as opposed to dialogue .
6. Write to your strengths.
If you ’ re naturally funny story – then bring that into your make. If you ’ re not a sports fan of research then don ’ thyroxine start with something that requires 10 years in the british Library .
7. Starting out – write about what you know
work. family. Childhood. Or things that get you excited. Things that make you so huffy you want to throw bricks. Write the script alternatively .
8. Free your characters from cliché
Worried you ’ re writing a clichéd character ? Characters we may have seen before ? then switch an chemical element of that character around. Change their sex, age, class, occupation. This can often turn a cliché on its point and head us to something interesting.
Read more: How To Do a Smokey Eye
9. Make mistakes, and learn from them.
‘ Writer ’ south block ’ is largely ‘ writer ‘s fear ’. The fear of getting it wrong. That cipher will like it. The mind that any writer sits down at their laptop one good morning, and by 5pm they have a hit on their hands is folderal ( or luck ) .
10. Less is more.
My clear tip for scenes… ‘ startle late, and get out early ’. Scenes do n’t need to be fully-realised stories – do n’t worry about describing how we got here, equitable get on with it !
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Read more: How To Do a Smokey Eye
