# I Want to Draw: Simple Exercises for Complete Beginners

Do you struggle with a simpleton set from the beginning measure of every tutorial ? Do your true lines keep deflection, no matter how hard you try ? Do you seem to be ineffective to draw two points with a given distance between ? Do your pictures look ill-timed even after repeating carefully every single step from a detailed tutorial ?
These problems may come from a miss of basic skills that are ignored when learning how to draw. In fact, these skills are obvious for person who ‘s been drawing a lot, but they besides can be easily forgotten after a few years without a pencil in your hand. So are you fix to catch up with the best draw exercises for beginners ?
If you ‘re looking for a pre-game motivational boost before taking on this challenge, check out the accompanying article, What ‘s Your apology ? Why Ca n’t You Draw ?
If you ‘re drawing digitally, possibly you want your work to look as if it was created with pencil and composition. If this is the case, may we recommend one of the many Photoshop brush sets available on GraphicRiver, including this classical Art Brush Pack.

## 1. Break the Straight Line

Your problem: you ‘re not able to draw a straight line/perfect traffic circle .

### Step 1

Straight line drawing by hand is n’t real. It exists alone in vector, as the shortest way between two points. You can cheat and use a ruler, but most probably your bridge player will never learn how to draw a perfectly neat, retentive credit line. even if it starts as something perfect, the longer you draw it, the more mistakes can be made. What does it mean ?
If drawing a long line is about impossible, we can use short lines that our hand is more adapt for. This way it wo n’t matter what tool you use to draw straight lines ; they ‘ll normally come out reasonably well. just search at the mental picture below. The shorter the lines, the close to the original the visualize is .

### Step 2

Let ‘s say you want to draw a flower like the one under. You can see it ‘s built of a straight line, a perfective circle, and a few curves with precise angles. I guess you can draw it very slowly, very cautiously, driving the lines from compass point to point, with your natural language stuck out and sweat on your confront. But … why ? puff is n’t a job, it should be fun !

### Step 3

technical draw ( straight lines, perfect circles ) requires concentration. It ‘s about drawing things precisely as they are. There ‘s no space for creativity or personal vogue, since style comes from diverseness. Is it in truth what you want to do ? Draw the like things precisely the same room all the meter ?
If you do, well, there ‘s no tutorial for you. Because drawing—creation—is about keeping your hand relaxed while being focused on a concluding consequence rather of creating a series of perfect lines. That ‘s what you need to learn—how to keep relax, sketching cursorily and rakishly. Let ‘s try to draw this bloom once again, shall we ? But this time, follow these bare rules :

• Divide the long lines into short ones.
• The more curves, the shorter the lines.
• Touch the paper very lightly; don’t press your pencil hard.
• Keep it fast!

### Step 4

Was n’t that fun ? If you narrow your eyes, it even looks quite done. nowadays, fill the spaces between the lines with the ones it ‘s lacking. The rules from the former mistreat inactive apply .

### Step 5

You can now stress the defined lines with a marker or pressing the pencil arduous. This step is n’t necessary ; you can skip it .

### Step 6

It ‘s done ! It does n’t look precisely like the master, but you can see some style in it, a bit of your personal character, a actual oeuvre of your hands ! You can notice it even looks more natural than the original, because nature is n’t arrant. What ‘s most significant, once you cross the boundaries, you can easily change everything !
paradoxically, the less accurate your straight channel draw is, the more natural the results .

### Step 7

now that you ‘ve learned how to draw a straight argumentation, what should you practice ?

• Divide the lines into short ones.
• Draw circles made of short lines instead of long, ever-bending ones.
• Draw lightly—this way, your little mistakes won’t be visible.

## 2. How to Create Your Own Style of Art

Your problem: you feel you can only draw things early people have already created. Your drawings never look like something that ‘s in truth yours. If that ‘s true for you, then it ‘s time to learn how to make your own art style .

### Step 1

So you can draw circles and straight lines, properly ? That ‘s not truly thoroughly. You may be stuck in mathematical rules and technical drawing—you ‘re big at repeating, but not creating. How can you help yourself ? Well, the inaugural footstep of this tutorial is good for you excessively, but there ‘s another antic you can use .
As I said before, style comes from diverseness. If you ‘re redrawing a picture carefully, pipeline by line, without adding anything raw ( because it would be a err ! ), you ca n’t end up with something different. The original was n’t yours, and your drawing is equitable a imitate. I do n’t say you should n’t follow tutorials anymore ; you should barely be more creative and—paradoxically—less accurate when doing it .
How to lose a fair spot of preciseness ? Let ‘s beginning with this simpleton exercise : trace a few elementary shapes with your hand shaking, as if you were feeling nervous. Do it until you feel your hand is relaxed .

### Step 2

Let ‘s try this simple tutorial now. Do this the lapp way as common, but in Step 4 shake your hand when drawing the final lines. Draw a few of these heads, changing the charge of twitch every clock time .

### Step 3

Surprised ? Every head looks different than the original, but you can recognize what you ‘ve just drawn. besides, you used the same proportions for them all, yet none of them looks identical. How could it have happened ?
When you were learning how to write, your teacher wanted you to repeat lines from a template. You were spending a lot of fourth dimension drawing ( not writing ) every single letter as if it was a small masterpiece. then, with time and experience, you developed your own character of write, your own style. Your letters look different than mine or your friends ‘, but hush, we can all read what you write. Your manner changed because you wanted to write fast—to write down your thoughts, not to draw perfect but meaningless letters .
Apply this govern to your drawings. Think about what you want to achieve, not about the lines. Draw fast, and your personal, unique hand movement will have a chance to shine .

### Step 4

There ‘s another thing that adds up to your style : creativity. Do the lapp tutorial once again, this time changing the dance step results to your needs. You ‘re learning how to draw a dragon ‘s oral sex, but what if dragons in your thinker have longer mouths ? No problem ! You do n’t need to find more drawing exercises for beginners for that. merely adjust the rules to your needs .

### Step 5

Alright, so you now know how to make your own art manner. What ‘s future for rehearse ?

• Try to draw things from your environment with shaky, careless lines, without worrying about the effect.
• Sketch a lot! Don’t think about the result, just let your hand practice its natural movement.
• When following tutorials, stay creative—change lengths, shapes, distances, and see where it takes you.

## 3. How to Measure and Draw Proportions

Your problem: your proportions constantly look off. You feel ineffective to draw a given distance without using a rule or early tools .

### Step 1

wrong proportions are a huge problem for an draw a bead on artist. fortunately, it can be overcome if you do n’t ignore it. First, what are the proportions, actually ?
Proportions are n’t a outdistance measured in some unit. They define the localization of an chemical element relative to others. That means that if you want to draw the whole movie ( set of elements ) two times bigger, all the distances need to be doubled excessively .

### Step 2

Let ‘s train our eyes to see and redraw proportions. First, sample to redraw this mental picture, but two times smaller :

### Step 3

now, take a rule and check if you got it right : the outdistance should be two times smaller than on the screen. And, how ‘s your leave ? probably not very good, if you ‘re reading this drawing proportions tutorial. Notice that the circles should be two times smaller excessively, and that seems about impossible : how can you draw a r-2 that ‘s doubly deoxyadenosine monophosphate big, if you do n’t tied know the original size ?
The answer is that we need at least two elements to talk about relativity. No matter what size the foremost component is, it ca n’t be unproportional, if there ‘s only one ! So let ‘s try again. Draw only the first gear circle .

### Step 4

now imagine two lines coming from the center of the r-2. There ‘s a third base fanciful line connecting both circles. Can you see what angle it creates ? Draw this line on your photograph, without adding the irregular circle for now .
If you have problems with seeing the lean, try to divide the right angle into thirds, then every third base into thirds again. Each of them is 10 degrees .

### Step 5

We need to set the distance immediately. How many circles can be put between both centers in the original ? Apply this kinship to your visualize. For the first time, it ‘s best to print the original and draw the early circles physically. subsequently, you can try entirely pretending you ‘re drawing them ( keeping the pencil justly above the paper/screen and seeing the circles in your mind ) .

### Step 6

It ‘s about done ! now we need to check what the size of the second encircle is in relation to the big one. A good method for this is to imagine the second circle inside the first gear one to distinctly see the proportions .

### Step 7

practice ! You can use the rule once again to see how accurate it is. This method is very good when your eyes are n’t trained to see proportions even, and with time you may not need to draw the guide elements anymore .

### Step 8

You ‘ve done it ! You went through all the steps in learning how to draw proportions. For more drill, do the following :

• Learn to see proportions everywhere. Look around and ask yourself: How long are my fingers in comparison to the palm? How many heads can be put in a row along my dog’s back? What element of the face could fit perfectly between the eyes? This training can be done in your spare time, and it increases your concentration. Also, with time, your eyes will learn to do it without your awareness!
• If you have problems with recreating sizes (for example, you draw two identical circles and they’re always different), don’t avoid practicing it. Draw these two circles as long as you can draw them identically, and then try the same with triangles, squares, and so on. This problem must be solved before doing any other tutorial, since it’s the base of other skills.
• The Internet is full of simple, step-by-step tutorials that don’t teach any real drawing skills, but they’re great for practicing proportions. Start with the simplest pictures for children and move on when you feel more confident. Again, don’t go further before establishing these basic skills. Nothing strong can be built on a weak base.

Your problem: you find drawing twin or coincident lines very hard. The second line always goes in the wrong management somehow .

### Step 1

This happens sometimes when you ‘re trying excessively hard. You want to be precise and, as a resultant role, you draw lento and carefully, giving your handwriting more time for mistakes. Try to draw both lines fast : does it change anything ? If yes, well, I ‘m glad I could help ! If no, a small coach may be needed .
Drawing snakes is the greatest and the most complex education I can think of. It lets you practice proportions, planning lengths, changing size and angles, and, most importantly, it teaches your hand how to move gracefully. If you ‘re reading this paragraph, you credibly have problems with snakes too—they ‘re thick at one point, then thin and blockheaded again, wholly messy and improper. But we can fix it !
Start with a row of circles, each one smaller than its predecessor. End the row with a one period .

### Step 2

Connect the equate ends of the diameters. A simple snake is done ! Of run, there ‘s more to learn .

### Step 3

now draw a series of the same circles, but changing their positions vertically besides .

### Step 4

Connect them again .

### Step 5

Let ‘s increase the difficulty level. Do the same as before, but now leave bigger spaces between the circles .

### Step 6

Connecting the circles may be harder immediately, because you need to draw the arches. This is the actual commit. Draw the snakes, long and inadequate, straight and curled, using bigger spaces between the circles every clock time you see you got it right. If you do this long enough, your hand should learn the proper bowel movement .

### Step 7

What to exercise ?

• Snakes! Draw a lot of them; they’re fast and easy;
• Draw a series of parallel lines and waves as fast as possible. Let your hand feel it’s free!
• Draw wavy lines when watching TV or reading articles on the Internet. It doesn’t matter what you’re drawing, just teach your hand how to move freely and carelessly.

## 5. Learn What Things Are… And Why They Are

Your problem: you ca n’t draw from imagination. Everything goes right when you follow a tutorial, but then you ca n’t remember the steps, or there ‘s only one pose that turns out OK .

### Step 1

tied though the best drawing exercises for beginners wo n’t help you here, you ‘ll be gladiolus to hear this is n’t ampere adult a problem as it seems. You entirely need to change your attitude. The trouble is that you learn how to draw lines alternatively of what the object is. There are two kinds of information :

• Matrix (raster): Where’s the point? What’s it connected to? What’s the distance between them? How many of them occur in a given area?
• Vector: What’s the point for? What’s this point part of? What does this set of points do? How does it influence the other elements?

Matrix information is a template to create the same thing all over again. It ‘s hard to remember, and it ‘s useful only in a few cases. Vector information is scalable. It means that when conditions change ( different airs, size, manner ), the elements adjust to them, because they ‘re attached to proportions, not situation. here ‘s an model :

• C1 – nose
• C3 – eye
• C1-E3 – mouth

• The head is made of two circles: a “brain case” and a mouth.
• The mouth is a bit higher than the middle of the brain case.
• The eye is circular, and it starts at the middle of the brain case, touching the mouth.
• The nose is on the tip of the mouth, and it’s as big as the eye (etc).

If you ‘d like to change something, for example open the mouth, matrix information fails. It ‘s fixed, scalable only in terms of size, and it ‘s even more useless when you want to create a pose in 3D space. How can you learn in vector, then ?

### Step 2

Take an object and analyze it. There are two ways of thinking you can use immediately ( I ‘ll use a glass as an case ) :

• The glass is made of a rectangle, then there’s a flat triangle under it, a quite long line, and a flat triangle again.
• The glass is made of an oblong container with a circular section where wine is poured. The upper part of the container can be bent to the inside, to stop the bubbles from slipping away. The bottom of the container melts gently into a thick leg. The leg then melts into a circular support.

What do you think ? Which way better describes the essence of a field glass ? The inaugural one is fast and great when you start your venture with draw, but it will entirely let you draw this particular position. You may try to go into a 3D world, learn perspective, add some motion, and suddenly it turns out you do n’t in truth know how to draw a field glass .

### Step 3

Another case is anatomy. You may learn the curves of a soundbox in one affectation, but it does n’t tell you anything about what the like body looks like when running/sitting/fighting. A childlike “ why ” has never been that brawny. Why is this separate bulging ? What ‘s it used for ? Why is it long/short ? Why is this depart connected to some particular one ?

### Step 4

What to drill ?

• Stop thoughtlessly copying the lines you’re seeing. Try to understand the object as a whole. If you understand why it’s built and drawn like this, you’ll be able to modify it and create something that’s truly yours, without breaking the rules.
• Analyze objects even when you’re not drawing. In a queue, in a bus, waiting for someone—look around and ask yourself: why does it look like this? What’s its purpose? With every answered “why”, you’re extending a huge base of vector information in your head. You’ll be surprised how much it helps!

## Now You’re Ready to Draw!

If you ‘ve followed the tutorial cautiously, after some practice you should be able to follow intercede tutorials flawlessly. While these drawing exercises for beginners may seem boring, they ‘re essential and need to be learnt. If you tried them and they seemed fiddling, that ‘s capital, you ‘re ready ! But if you had some problems, it ‘s very better to stop hera and practice until you overcome them .

## More Useful Drawing Resources

If you want the best simpleton pull back tutorials and exercises for beginners, adhere right here on Envato Tuts+ ! Our instructors have put together many helpful guides that will help you develop your skills. here are just a few to get you on your way :

beginning : https://epicentreconcerts.org
Category : How To